Marx and Engels in Hell

Cluster for the Study of Religious Violence

For centuries, Christian churches have depicted elaborate scenes of the Last Judgment and the punishments of the damned in Hell. Many Catholic and Orthodox churches devote an entire wall to painted or frescoed portrayals of the torments of Hell.

In medieval and renaissance paintings of Hell, the damned are usually identified by their worldly occupations: farmers, soldiers, prostitutes, priests, bishops, or kings. These poor souls are tortured by devils and demons according to the specific sins they have committed: lust, gluttony, avarice, sloth, wrath, envy, and pride. These portrayals could be  terrifying, whimsical, or bizarre—consider the late fifteenth-century paintings by Hieronymus Bosch. Paintings could also be controversial, since painters could make allusions to contemporary political and social situations in their rendering of the damned.

Depictions of Hell still have the power to stir debate.


According to the BBC: “A church in Montenegro has sparked controversy by displaying a fresco…

View original post 115 more words

This entry was posted in Uncategorized. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.